On November 4th 2006 Gallery Nucleus is having us three trees (Tadahiro Uesugi, Ronnie del Carmen and Enrico Casarosa) over at their wonderful space again … but the main event are three amazing illustrators that we are truly excited to have here from Japan. Yoko Tanji, Icco Sasai, and Wakako Katayama I’ve been loving their work on the net for years and it was a really pleasure to meet them in person last february in Tokyo, Yoko Tanji even joined us all day for SketchCrawl. So if you don’t know their work these three flowers are gonna blow you away. Wonderful wonderful illustrations you will want to own. And on top of all that Tadahiro, Ronnie and I are gonna be debuting judi bola and signing (keeping my fingers crossed on this one as we’re finishing design on this right now, hope the printers make it in time) the art book ” ? 3 trees make a forest” published by Gingko Press. The hard cover book is gonna have all the pieces from last year’s artshow and more. We are so excited to fully feature Tadahiro’s work in a book for the first time in the US. Can’t wait to hold one in my hand. It’s even already up for preorder on Amazon. So … there you have it. Three trees and three flowers.
One note- Amazon lists an early estimate we had of a 84 pages book, but we are actually aiming now for 128 pages.
3 Trees Make a forest : a 3 men artshow held on November 19th 2005 at Nucleus Gallery (Los Angeles), is soon going to be an art book !! November 4th 2006 Ronnie del Carmen, Tadahiro Uesugi and I will be back at Nucleus ! Stay tuned for more details.
Well, the rumors are true … Ronnie del Carmen, Tadahiro Uesugi and I are having an artshow together at Nucleus Gallery (LA) on Saturday November 19th (one day before my bday!). We are pretty darn excited to have our friend Tadahiro Uesugi flying over from Tokyo for the opening night. If you don’t know his work you’re in for a treat.
But what the heck does that title mean you might ask? Well the Japanese character for forest ? pronounced “mori” is made of 3 repeated characters ? pronounced “ki”, which singularly mean tree. So three trees do make a forest see? As I started doodling sketches for possible titles for the show something started to stick with me about this concept. The trees form something bigger than a single tree could ever be, the works of the 3 of us coming together will form something more than our singles’ output. Well maybe it’s a little brainy, but this is pretty much how the title formed and though a little strange it quickly grew on all of us. So well, what to say, we went for it … made cards and started spreading the word. So we are proud to help showing Tadahiro’s work for the first time in the US and I am just amazingly honored to be in such company. Ronnie and I are actually pretty darn terrified too as there will be no way for our work not to pale side by side to Tadahiro on the walls of Nucleus… X) but what the hell, we’re gonna enjoy the ride !! Now … I gotta get to work on new pieces ! Oh almost forgot we’re also going to be working on a book of the exhibition, which we’re really excited about too, but since there might be a judi online publisher interested the times involved will be a little longer. We won’t be designing the book until after the show.
Buy the brand new 森 3 trees make a forest book here!
Enrico Casarosa was born and raised in Genoa, an Italian coastal city. As a child, Casarosa was greatly fascinated by the work of Hayao Miyazaki, a Japanese animator of Studio Ghibli. Miyazaki was the biggest influence of Casarosa’s decision to delve into the world of animation and some of the Japanese animator’s elements can be felt through Casarosa’s own art. But Casarosa was not set to enjoy a career in animation. He was an engineering student back in Italy. He grew bored of the subject and decided to leave Italy for New York City to go after his passion for art.
Having completed his studies in the Fashion Institute of Technology and the School of Visual Arts, Casarosa would continue on working for Disney Channel, contributing to the studio’s TV series such as PB&J Otter and 101 Dalmatians: The Series. He moved on to Blue Sky Studios, where he did the work for animated movies such as Ice Age and Robots. It was not until 2002 that he made the jump to Pixar Studio, where his works are truly expanding to a greater level. At Pixar, Enrico Casarosa would first contribute to some of the studio’s productions before going on to direct his own animated movie, La Luna. While the Pixar movies he contributed to were largely capable of amassing rave reviews and financial successes, La Luna is Casarosa’s passion project.
La Luna was practically a personal story for Casarosa given that the premise was inspired by his own experience growing up with his dad and grandfather. Casarosa developed a distinct mythology for the film’s story and he managed to maintain the film’s storybook quality. This is often questioned by poker online players. He has been on record saying that La Luna was greatly influenced by The Little Prince, a novella by the French writer Antoine de Saint-Exupery as well as Italian writer Italo Calvino’s stories. To round out the production, Casarosa wrote a companion story book for La Luna.
In addition to animated films, Casarosa has also produced his own comic books, including Haiku 5-7-5, Venice Chronicles, and The Adventures of Mia. He also produced Fragments, a book of compiled artworks he and fellow Pixar artist Ronnie Del Carmen has created personally. Casarosa has met his idol, Hayao Miyazaki twice; once at Studio Ghibli and once at Pixar. He currently resides in Berkeley, California with wife Marit and daughter Fio. Don’t mis Casarosa’s SketchCrawl, a drawing event open for artists from around the world.
Growing up loving and being passionate for art, Enrico Casarosa is one of the most noted animators today. He was born on October 19, 1970 in Genoa, the Italian coastal city. His love for drawing and reading comics was accompanied by his passion for the works of Hayao Miyazaki, the founder of Studio Ghibli. Hayao Miyazaki and Ghibli animated movies would go on to have a big influence in Casarosa’s own career. In Italy, Casarosa studied engineering before he found the subject boring and relocated to New Your City. In the Big Apple, Casarosa would enroll to the School of Visual Arts to study animation and the Fashion Institute of Technology to study illustration.
Once he completed his education, Casarosa would go on to work for Disney Channel first. He contributed to the channels shows such as PB&J Otter and 101 Dalmatians: The Series. He subsequently worked for Blue Sky Studios and contributed to movies such as Robots and Ice Age. In 2002, he moved to Pixar Animation Studios. At Pixar, Casarosa contributed to some of the studio’s greatest stories including Cars, Ratatouille, and Up. He was also the head of story in Bob Peterson’s The Good Dinosaur, released in 2015.
But Casarosa’s true skill as a storyteller was cemented by the 2011 La Luna. The animated movie earned a Best Short Animated Film nomination in 2012 Academy Awards. La Luna is noted for its storybook-like quality and the fact that the film’s premise was based on Casarosa’s own childhood, growing up between his father and grandfather, two figures with strong influence in his life. La Luna was also apparent for it being influenced by The Little Prince, a novella by Antoine de Saint-Exupery. La Luna also came with a story book as its companion. Casarosa founded SketchCrawl in 2004, an event of drawing marathon open for artists from around the world. Casarosa’s passion for drawing extends past beyond movie-making. He has published several comic books such as Venice Chronicle, The Adventures of Mia, and Haiku 5-7-5.
Together with fellow Pixar artist, Ronnie Del Carmen, Casarosa published Fragments, a compilation book that collects the two’s personal artwork. Casarosa is married to Marit. Together they have a daughter named Fio and the family resides in Berkeley, California. Casarosa finally met his idol, Hayao Miyazaki twice. Once he met Miyazaki while the latter paid a visit to Pixar and another chance at Studio Ghibli in Japan. Info above is also needed by agen sbobet players.
There seems to be an ever-present assumption among public that states that everything cartoon is reserved only for kids. This view is somewhat misleading if not untrue altogether. Adults can enjoy animated features, too, long as the plot and the premise of the movie is broad enough to include them as one of the targeted viewers. In many cases, animated movies come out topping the charts and earning rave reviews from critics and moviegoers alike. And it is not rare to see a cinema being flocked by the grown-ups when an animated movie title is up for viewing—even to the point where said cinema is devoid of any kids, the primary target of such a movie. The prevalence of animated features on cinemas across the world also triggers the formation of special categories reserved for them in many prestigious award events. If you are exhausted by the many action movies and abundance of CGI monstrosities plaguing the cinemas, here is a list from judi bola of the Best Cartoon Movie 2017 to catch up with before the year ends.
The Best Cartoon Movie 2017 to Add to Your Collection
The Boss Baby (2017)
The Boss Baby is a title that kind of self-explaining in and of itself: It is a movie about a boss who is a baby. Seeing an infant suit up as a businessman is of course hilarious but even more so when you learn that said infant can speak the way an adult can. What’s even more out of this world is the fact that said infant is a secret agent involved in a brewing war between babies and puppies. Such is the kind of entertainment you will get by watching the animated feature, released on March 31, 2017. A sequel is planned for release on March 26, 2021.
Being released on November 22, 2017, Coco is the latest of a slew of animated features released this year. As such, the movie’s impact will be felt more palpably during the upcoming award seasons of 2018. So far, it has amassed numerous nominations for Annie Awards and two more for the Golden Globe. And with a 97% Rotten Tomatoes rating, who knows it might be able to win them all.
Despicable Me 3 (2017)
Despicable Me 3 is the third entry in a franchise of the same name (fourth if Minions is counted). Released on June 30, 2017, the movie features an ensemble voice cast that includes the likes of Steve Carell and Kristen Wiig.
The Lego Batman Movie (2017)
The movie was released in the States on February 10, 2017. Its plot follows Batman as he tries to spoil The Joker’s evil plan. The movie features other DC Comics superheroes and supervillains and even Lord Voldemort as well as King-Kong.
Cars 3 (2017)
Cars 3 is the latest installment in the Cars movie franchise and was released on June 16, 2017. It, again, focuses on the story of Lightning McQueen, voiced by Owen Wilson. The animated feature earns a nomination for 2018 Annie Awards and a follow-up sequel is being considered.
The term ‘cartoon’ translates to ‘anime’ in Japan. Animated movies (or series) in Japan are different from their American brethren. The way the movie/series are drawn and designed is typically distinct so it is rather impossible to mistake them for any of Western origin. Anime has been an integral part of popular culture not only in Japan but also all around the world. With so many series and movies being churned out almost every year, it is rather difficult to determine the correct parameters to see which titles are the best. Every story has weaknesses and they have their own strong points that earn each of them a substantial amount of fan base in the process. New batch of productions stand against the old, ongoing titles for attentions from viewers. Those that last longer on TV earn their place for a reason so it’s kind of pointless to talk about them. The newcomers, on the other hand, deserve more spotlights. Move over, Boruto and One Piece, because here is a list of the Best Cartoon Japan 2017 for the fans to cheer over.
The Best Cartoon Japan 2017 to Enjoy
Eromanga Sensei was originally presented in the form of light novel series that run from December 2013 till present. The story was then adapted into manga form, which runs from May 2014 till present. The anime version took place from April to June 2017 with an Original Video Animation being due for a 2018 release date. The premise is pretty simple: A school student has passion for writing light novel but lacks the ability to draw illustration. He enlists the help of an illustrator, who turns out to be his own little sister.
Interviews with Monster Girls (Demi-chan wa Kataritai)
This title was developed based on a manga of same name. The manga is still ongoing (running from September 2014). But the anime only lasts for 13 episodes, running from January to March 2017. The story revolves around characters referred to as “demi-humans” being slowly accepted by the public.
Kemono Friends is actually a title of several media that include a smartphone video game (launched in March 2015), a manga running from July 2015 to March 2017, and an animated TV series that begun on January and ended on March 2017. The anime tells of the story of Kaban, a girl who wakes up in Japari Park not knowing what she is.
Saga of Tanya the Evil (Youjo Senki)
Based on an ongoing light novel (from October 2013), Youjo Senki is an anime series that took place from January to March 2017. A manga series is also produced, running since April 2016. The story revolves around an atheist salaryman being reborn as a girl.
Tsuki ga Kirei
Tsuki ga Kirei was an original anime series that runs for 12 episodes from April to June 2016. The premise is basically about romance in junior high school setting. The primary characters are then romantically linked with one another through the use of LINE messaging app.
Enrico Casarosa was originally born in Genoa, Italy, on October 19, 1970. In his twenties, he moved to New York City and went to the School of Visual arts to study animation. He then enrolled to the Fashion Institute of Technology in order to study illustration. Upon finishing his education and residing in San Francisco, California, Casarosa then took a job as a storyboard artist at Blue Sky Studios. There, he contributed to animated movies such as Robots and Ice Age. Prior to working as a storyboard artist, Casarosa was employed by Disney Channel as a background designer of its various TV series such as PB&J Otter and 101 Dalmatians: The Series. Casarosa then joined Pixar in 2002 and contributed on many of the studio’s animated movies. In 2004, Casarosa established a community of drawing marathon called SketchCrawl, an event which he organizes continually henceforth. During his time working for Pixar, Casarosa also earned an Academy Award nomination for his work on a feature animated movie that he directed. The Best Story Filmgraphy Enrico Casarosa includes the likes of Cars, Ratatouille, Up, La Luna, and The Good Dinosaur.
Some of the Best Story Filmgraphy Enrico Casarosa
The animated movie Cars was released in the States on June 9, 2006 and was Casarosa’s first foray into professional world of movie-making. He worked on the movie as its story artist. The animated movie told a story about talking cars. The movie went on to receive an Academy Award nomination of the Best Original Song and produce to sequels: Cars 2 (released on June 2011) and Cars 3 (June 2017).
Ratatouille was released in the United States on June 29, 2007. Casarosa’s involvement in this movie was as a storyboard artist. The movie was a unique form of entertainment courtesy of Pixar Studios as it offered a different story. It was about an anthropomorphic rat named Remy, with a passion for cooking. The movie produced no sequels but a video game inspired by it was released.
Up was released on May 29, 2009 and went on to win 2 Academy Awards (Best Animated Feature and Best Original Score). Casarosa was onboard as the movie’s storyboard artist.
La Luna (2001)
La Luna is perhaps Casarosa’s biggest achievement to date as he wrote the movie’s screenplay and directed it. The movie tells a fantasy story of a boy who helps his father harvest the stars from the moon. The short animated movie went on to be nominated for the Best Animated Short Film in 2012 Academy Awards and won an Annie Award in the same year for the Best Animated Short Subject. The movie originally premiered on June 6, 2011 at Annecy International Animated Film Festival but it was also included at the beginning of the premier of the movie Brave on June 22, 2012.
The Good Dinosaur (2015)
Released on November 25, 2015, The Good Dinosaur earned rave reviews and nominations in several prestigious award events such as the Golden Globe and Annie. Casarosa contributed to the movie as its head of story.